[Review] Nilsson: Pandemonium Shadow Show (1967)

Nilsson’s major-label debut attracted a wider spotlight, but the real show was just getting started.

Kronomyth 2.0: Something warped this way comes

Step right up… to Nilsson’s second album, Pandemonium Shadow Show. Produced by Rick Jarrard, this really doesn’t have a blessed thing to do with Surrealistic Pillow. It sits at the other end of the pop spectrum, more Neil Diamond than Lucy in the sky with, featuring clever originals and expertly arranged covers tinted by Harry Nilsson’s dark humor and golden, protean pipes. It wasn’t the breakthrough album that RCA Victor seems to have anticipated, but it did lend credence to the idea that Nilsson’s was a star on the rise.

The knock on Nilsson over the years has been, as good as he is, that he could have been better if he didn’t screw around so much. “1941” and “Cuddly Toy,” for example, are remarkably clever songs; dark, yes, but gilded with the kind of pop smarts that one rarely encountered outside of The Beatles. “Ten Little Indians,” which paraphrases the ten commandments (in case you missed the biblical reference to Shadrach, Meshach and Abednego in the intro) is also appreciably clever—and, again, dark. It’s as though Nilsson is under some kind of curse: birthed with a beautiful voice but doomed to see only the ugly side of things. Then again, I suppose there’s a whole genre of pop music that could be described as simultaneously sweet and sour, beginning perhaps with The Beatles.

Nilsson’s next, Aerial Ballet, contains what I would consider some of his very best songs: “Good Old Desk,” “One.” Pandemonium Shadow Show has a few good songs to recommend it, and “1941” would have to be counted among Nilsson’s essentials if only for its personal significance. A good half of this album, however, is just Harry performing the pop songs of the day: “You Can’t Do That” (a pastiche of Beatles lyrics), Jesse Lee Kincaid’s “She Sang Hymns Out of Tune” and Ike and Tina Turner’s “River Deep Mountain High.” Even “Freckles,” a song written almost fifty years earlier from the Ragtime era, isn’t altered much in Nilsson’s Shadow.

I haven’t yet discovered any earthly use for the music of Neil Diamond. I understand that he’s very talented, blah blah blah, but none of those thoughts quell the overwhelming desire to want to punch someone when a song like “I Am… I Said” is playing. I sort of get that way when “Everybody’s Talkin’” is playing too. I don’t get punchy during Pandemonium Shadow Show, yet I wish it had a few more original hits. At some point, you’ll want to check out the Show because Nilsson is just so damn interesting and talented, and this isn’t some pretentious piece of outdated pop like Cat StevensNew Masters. Instead, it’s an intriguing introduction to a unique talent who was about to prove that all unique is love.

Read more Harry Nilsson reviews

Original elpee version

A1. Ten Little Indians (Harry Nilsson) (2:48)
A2. 1941 (Harry Nilsson) (2:36)
A3. Cuddly Toy (Harry Nilsson) (2:50)
A4. She Sang Hymns Out of Tune (Jesse Lee Kincaid) (2:19)
A5. You Can’t Do That (John Lennon/Paul McCartney) (2:16)
A6. Sleep Late, My Lady Friend (Harry Nilsson) (2:41)
B1. She’s Leaving Home (John Lennon/Paul McCartney) (3:16)
B2. There Will Never Be (Perry Botkin, Jr./Gil Garfield) (2:27)
B3. Without Her (Harry Nilsson) (2:18)
B4. Freckles (Cliff Hess/Howard Johnson/Milton Ager) (2:21)
B5. It’s Been So Long (Harry Nilsson) (2:09)
B6. River Deep Mountain High (Phil Spector/Jeff Barry/Ellie Greenwich) (4:20)

Arranged by George Tipton except B4/B5 arranged by Perry Botkin, Jr.

The Players

Harry Nilsson (vocals, backing sound voices) with Dale Anderson (bongos), Ray Brown (bass), Jesse Ehrlich (cello), Milton Holland (drums), Michael Melvoin (piano), Lyle Ritz (bass) and others. Produced by Rick Jarrard; recording engineered by Dick “Knobbs” Bogert.

The Pictures

Photography by Jeff Gold. Montage by Donald Burgess.

The Plastic

Released on mono and stereo elpee on October 23, 1967 in the US (RCA Victor, LPM/LSP-3874) and the UK (RCA Victor, SF-7928).

  1. Re-issued on stereo elpee and 8-track in c.1970 in the US (RCA, LSP-3874/P8S 1272) {orange label}. 8-track features different track order.
  2. Re-issued on compact disc in 1992 in Japan (RCA, BVCP-2066).
  3. Re-issued on compact disc in 1995 in the US (RCA Victor).
  4. Re-packaged with Aerial Ballet and Aerial Pandemonium Ballet on expanded 3-for-2 2CD in 2000 in Europe (BMG, 757422) with 4 bonus tracks.
  5. Re-released on 180g blue vinyl mono elpee in March 2014 in the US (Sundazed, LP 5467).

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