Phil Collins Archives - Progrography

[Review] George Harrison: All Things Must Pass (1970)

George had developed as a songwriter, but even Abbey Road didn’t prepare you for the creative outpouring of this triple-elpee set.

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[Kronomyth 1.0] The tale of two sideburns.

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Apparently, Eno was just getting warmed up on Jets. Once heard, this album will change your world.

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Eno’s warped pop sensibilities and ambient interests merge on his magnum opus.

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Not quite another Another Green World, but a final airing out of vocal ideas featuring Eno’s skewed pop/rock sensibilities.

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Ambient bits and pieces create a kind of Whitman’s Sampler of wispy works.

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His breakthrough third album mixes world music with world politics to sometimes shocking effect.

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Da-dum, da-dum, da-dum, da-dum, dum, dum. Smartest thing he’s ever done.

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This is coin of the realm for Phil Collins’ albums, leaving no misunderstanding that a star had been born.

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Phil didn’t need to move heaven and earth to have a hit, just earth, wind and fire.

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The second album repeats the success of the first down to the smallest details, which is a bit, um, boring.

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Slowhand makes a modern synthesizer album with Phil Collins and it actually sounds pretty good.

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Paul’s best album in years. Also, his only album in years. Macca strikes a modern sound, Phil Collins lurks suspiciously in the background.

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Great material, august guests and Phil Collins’ magic bag of Motown produce one of Clapton’s best albums from any period, period.

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The Bed and Breakfast Club. Not that I saw the film, but I did buy the soundtrack to hear the one Townshend track.

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