[Review] The Soft Machine (1968)
Experimental, psychedelic “art” rock that gave the intellectuals in the audience something to chew on until prog arrived.
Experimental, psychedelic “art” rock that gave the intellectuals in the audience something to chew on until prog arrived.
The second installment of their psychedelic jazz circus and first to feature fuzz-bass extraordinaire Hugh Hopper.
Their third, divided into four, equals pure joy as it explores jazz-rock fusion from the perspective of rock.
You probably won’t lose your hearing, although brain damage is a risk on Wyatt’s first.
The purely instrumental Fourth, and last to feature Robert Wyatt, contains longer and shorter works in the same vein as Third.
Demo recordings with the original quartet featuring Daevid Allen from the spring of 1967.
Remember when the new release of a double-album from Soft Machine would have warranted skipping school? Those days are gone.