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[Review] Wayne Shorter: Adam’s Apple (1966)
One of the least diabolical of Shorter’s Blue Note albums, featuring Herbie Hancock on piano.
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[Review] Herbie Hancock: Speak Like A Child (1968)
A confident continuation of the modal jazz explored on Maiden Voyage, now with a sextet.
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Herbie Hancock: The Prisoner (1969)
A year after MLK was murdered, Herbie writes a modal jazz masterpiece dedicated to the man.
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[Review] Herbie Hancock: Fat Albert Rotunda (1970)
Herbie cooks up a soulful, funky score for Bill Cosby’s animated, abdominous alter ego.
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[Review] Miroslav Vitous: Infinite Search (1970)
The first solo album from the new bass wunderkind is one to Czech out.
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[Review] Herbie Hancock: Mwandishi (1971)
New band, new names and a new language of jazz that set into motion a trio of groundbreaking elpees.
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[Review] Joe Zawinul: Zawinul (1971)
A way bitchin’ solo album/tone poem from Z that pre-dates the Weather Report gig and features Miroslav Vitous, Wayne Shorter and Herbie Hancock.
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[Review] Herbie Hancock: Crossings (1972)
Moog and mellotron make an appearance on what may be Hancock’s most adventurous album to date.
