Kronomyth 3.0: THREE OF A KIND. Di Meola stuck with the same cards (Gadd, Jackson, Lewis, Miles), switched Gibsons (from black to white) and upped the ante on the delightful Casino. Things get off to a rousing start with “Egyptian Danza,” which mixes Latin and Middle Eastern sounds and showcases the stunning staccato pickwork of Al Di Meola. The by-now-obligatory Mingo Lewis composition, “Chasin’ The Voodoo,” keeps the progressive-fusion vibe at maximum velocity/intensity and features Di Meola, Miles (on mini-moog) and Mingo trading short solos in tandem. “Dark Eye Tango” initially promises a smoother, more romantic pacing, but soon becomes more agitated and accelerated, turning into another of Di Meola’s unique fusion tango pieces. Side two starts with one of Chick Corea’s oft-revisited works, “Señor Mouse,” which here gets an interesting reading from Al and Miles that sounds by turns subdued and subversive. The four-part “Fantasia Suite For Two Guitars” feels like four separate acoustic pieces fused together, although individual moments are exciting. The album closes with the title track, electric tango music that again features the articulated and accelerated Gibson blanc. Although each of Di Meola’s first three records are very good, Casino has always been slightly superior in my mind. Maybe it’s the stable lineup, the choice of the mini-moog over the ARP synthesizer or the ambitious arrangements. If fusion and fiery fretwork get your juices flowing, Casino is a sure bet to please.
Original LP Version
A1. Egyptian Danza (Al Di Meola) (5:58)
A2. Chasin’ The Voodoo (Mingo Lewis) (5:02)
A3. Dark Eye Tango (Al Di Meola) (5:25)
B1. Señor Mouse (Chick Corea) (7:19)
B2. Fantasia Suite For Two Guitars (Al Di Meola) (5:13)
a. Viva La Danzarina
b. Guitars of The Exotic Isle
c. Rhapsody Italia
d. Bravoto Fantasia
B3. Casino (Al Di Meola) (9:33)
All songs arranged by Al Di Meola
Al Di Meola (electric guitar, acoustic guitar, mandolin, castanets, hand claps, foot stomps, muted congas and bongos, percussion), Steve Gadd (drums), Anthony Jackson (bass guitar), Mingo Lewis (congas, bongos, percussion), Barry Miles (electric piano, mini moog, Yamaha organ, acoustic piano, marimba) with Eddie Colon (timbales and roto toms on 6). Produced by Al Di Meola; engineered by Dave Palmer.
Album cover concept by Al Di Meola. Photography by Bill King, fashion by DeNoyer.
Released on elpee in April 1978 in the US (Columbia, JC-35277) and the UK (CBS, 82645); reached #52 on the US charts and #5 on the US Jazz charts. Original elpee featured picture innersleeve. Re-released on CD in the US (Columbia, 47482).