A deliberately darker and more vulgar record than the first, but with shockingly good results.
Kronomyth 2.0: Sex & wogs & rock & roll.
A group of middle-aged punks was a scary thought. But a group of middle-aged, racist pedophiles? Waaay scarier. No More Heroes goes well beyond the boundaries of good taste in its efforts to outshock its audience. To its credit, it’s also a fantastic record, regarded by many as the quintessential Stranglers album. Whether or not you agree with that assessment (I would probably pick The Raven myself), there’s no denying that No More Heroes is an early punk classic.
The band has since backtracked on I Feel Like a Wog, stating that it was intended to be anti-racist, but I’m pretty sure that’s a load of sh*t. In their defense, I don’t think the band was trying to be racist, just tasteless. Bitching rocks in a Stranglers sort of way, and it’s one of several tracks that sound uncannily like early XTC. I suppose there’s only so much you do can with an organ in a punk band. Burning Up Time sounds even more like XTC. Dead Ringer is one of two tracks to feature an absolutely ghoulish Dave Greenfield on lead vocals. Peasant in the Big Shitty is the other, and it’s easily the best vocal performance on the album. I vote Dave Greenfield to be the band’s permanent lead singer.
Dagenham Dave is a surprisingly sympathetic story about a friend’s suicide and reveals some deep waters running under the band’s rough exterior0. If the Daleks from Doctor Who were capable of lustful thoughts, Bring on the Nubiles would be their booty call. Side one ends with the classic Something Better Change, just about the best organ-driven punk song you’ll ever hear. Side two doesn’t miss a beat with the opening No More Heroes, which feels like The Doors on a fistful of speed. Now seems as good a time to mention how awesome Dave Greenfield is on this album. I wasn’t entirely sold on a punk band with an organ on the first album, but it absolutely works here, arriving at a psychedelic punk sound that manages to be highbrow and lowbrow at the same time. Not too many bands could sound equally authentic singing about Leon Trotsky and little girls.
Greenfield’s vocal performance on “Peasant in the Big Shitty” has to be heard to be believed. Imagine if Boris Karloff had a kinky brother (and as the youngest of nine children, he probably did) or if Dave Vanian sang like he looked. After the somewhat forgettable English Towns, the band ends thing on a classy note with School Mam: a song about an aging female principal who dies after masturbating while watching a teacher have sex with a student. Talk about pushing buttons…
If you can get past the lurid subject matter—and for some that will be a big If—you’ll hear heroes in the making. Of interest, the elpee label again references Stranglers IV in the album title, and I’m beginning to wonder if the band hadn’t created an alternate identity for itself as The Stranglers Four, an oddly fitting title for this horrorshow quartet.
Original elpee version
A1. I Feel Like a Wog
A3. Dead Ringer
A4. Dagenham Dave
A5. Bring on the Nubiles
A6. Something Better Change
B1. No More Heroes
B2. Peasant in the Big Shitty
B3. Burning Up Time
B4. English Towns
B5. School Mam
Composed by The Stranglers.
CD reissue bonus track (1987)
12. 5 Minutes
CD reissue bonus tracks (2001)
12. Straighten Out
13. Five Minutes
14. Rok It to the Moon
Jet Black (drums and percussion), Jean Jacques Burnel (bass and vocals), Hugh Cornwell (guitars and vocals), Dave Greenfield (keyboards and vocals). Produced by Martin Rushent; engineered by Alan Winstanley; mixed by Doug Bennett.
Sleeve design an art direction by Paul Henry. Photography by Trevor Rogers. Solarisation by Eamonn O’Keefe.
Released on elpee and cassette on September 23, 1977 in the UK and Israel (United Artists, UAG/TCK 30200) and the US (A&M, SP-4659) with picture innersleeve. Reached #2 on the UK charts.
- Re-released on expanded compact disc in 1987 in the UK (EMI, CDP 7 46613 2) with one bonus track.
- Re-released on expanded, remastered compact disc in 2001 in the UK (EMI, 5 34407 2) with 3 bonus tracks.