[Review] Ric Ocasek: Beatitude (1982)

Robotic synth-rock that lacks the contagious energy of The Cars, Ocasek is still cool on Beatitude but a little cold to the touch.

Kronomyth 1.0: Shake it down.

The cold, Kraftwerkian album that Ric (maybe) always wanted to make. As downbeat as Shake It Up was upbeat, Beatitude has confounded those who expected another bouncy ride with The Cars. It’s a strange, gloomy, paranoid record much of the time, as if all of Ocasek’s dark energy stored up since Candy-O was allowed to seep back out and be illuminated in blacklight. Like Kraftwerk, the instrument of choice here is synthesizer, and Ocasek doesn’t sing so much as talk/sing, which makes for mechanical pop music: “Connect Up To Me,” “Take A Walk.” The Cars came at you like a rush of adrenalin, Ocasek at his best on Beatitude ambles toward you like an off-kilter robot.

The big hit here is “Something To Grab For,” The Cars in low gear, which would also describe “I Can’t Wait.” Then there’s Ocasek’s tale of good kids gone bad, “Jimmy Jimmy,” a nod to the white god Bowie (“Prove”), the super cool “A Quick One,” a typical Hawkes/Ocasek hybrid in “Out of Control” and the alienated ending of “Time Bomb.” The more I listen to Beatitude, the more I like it, but it’s still a slight disappointment for me, given how great The Cars’ music was. Nothing on here reaches the sublime heights of “Since You’re Gone,” the great melodies seem in shorter supply, and Elliot Easton’s guitar never arrives to save the day. What you’re left with is a good album, lukewarm and antiseptic, that suggests Ocasek was more krautrocker than rock & roller.

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Original LP Version

A1. Jimmy Jimmy (4:52)
A2. Something To Grab For (3:42)
A3. Prove (3:54)
A4. I Can’t Wait (3:41)
A5. Connect Up To Me (4:25)
B1. A Quick One (3:37)
B2. Out of Control (Ric Ocasek/Greg Hawkes) (4:54)
B3. Take A Walk (4:37)
B4. Sneak Attack (3:54)
B5. Time Bomb (4:59)

All songs written by Ric Ocasek unless noted.

The Players

Ric Ocasek (guitar, keyboards, voice), Stephen George (drums), Stephen Hague (keyboards), Darryl Jenifer (bass) with Akio Akashi (bass on B1), Steve Cataldo (voice on A3), Antonia De Portago (voice on A1), Deric Dryer (saxophone on A3), Roger Greenawalt (guitar), Greg Hawkes (keyboards), Casey Lindstrom (guitar on A2), Miss Linn (drums), Fuzzbee Morse (guitar, keyboards), Jules Shear (voice on A3). Produced by Ric Ocasek; engineered by Ian Taylor.

The Pictures

Cover and sleeve photos by Bob Carlos Clarke. Graphic layout by Jeri McManus. Symbols by Boo Topeka.

The Plastic

Released on elpee and cassette on December 30, 1982 in the US (Geffen, GHS/M5-2022), the UK and the Netherlands (Geffen, GEF 25282), Canada (Geffen, XGHS 2022) and Japan (Geffen, 25AP-2492) with lyrics innersleeve; reached #28 on the US charts.

  1. Re-issued on compact disc on June 13, 1997 in the US (Geffen Goldline, 2022).

2 thoughts on “[Review] Ric Ocasek: Beatitude (1982)

  1. Disagree! I like this album better than some of The Cars albums. In fact, other than The Cars’ debut album, I play this Ric Ocasek album more than any of the other Cars albums.

  2. Love this album. It it’s totally amazing. It IS different and unique. I think it’s Ocasek’s best solo effort. I reach for this cd at least once every 2 months. I think it to be a dark/winter/late night (all alone in your room) kind of album.All the songs on Beatitude are exceptional BUT If I want to jump into the heart and soul, albeit – the mood of the album, I cheat and go right to “Connect up to Me” and let it run straight through until the “Time Bomb” goes off. (Hint: If you listen really closely with great headphones, you can hear the clock ticking in the tune). There is also plenty of GREAT guitar on this album. It’s mixed so well with the synth and ethereal quality that when mixed together (and this album is exceptionally mixed) it comes off as a majestic masterpiece. I love this album.

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