[Review] The Souther-Hillman-Furay Band: Trouble In Paradise (1975)
A half-hearted followup to the first, featuring a third of an album from each.
[Review] Grahame Bond: Mighty Grahame Bond (1969)
More mystical blues-rock originals featuring some of the hottest organ playing this side of The Doors.
The Cars: “Touch And Go” (1980)
A little engine stutter aside, this single got listeners revved up for the new Cars album.
Traveling Wilburys: “End of the Line” (1989)
Roy Orbison returns home, but his music lives on for one last ride.
[Review] Todd Rundgren: Hermit of Mink Hollow (1978)
Todd returns to the DIY approach of Something/Anything? for his best collection of songs since, well, Something/Anything?
[Review] Procol Harum (1967)
Although initially lost in the flurry of psych/prog releases at the end of 1967, Procol Harum’s first is today recognized as an early…
The Who: “Join Together” (1972)
If you weren’t already a member of Tommy’s army, here was your invitation to join the band.
[Review] Dire Straits: Alchemy (1984)
Mark Knopfler and his band recorded live at the Hammersmith Odeon during the Love Over Gold tour.
[Review] T. Rex: Electric Warrior (1971)
T. Rex plugged in, and the world tuned in to hear the “new” glam wunderkind.
[Review] John McLaughlin: Devotion (1970)
A psychedelic rock session recorded with members of Tony Williams Lifetime and the Buddy Miles Express.
Elton John: “Daniel” (1973)
Elton earns more frequent flier miles, as another hit single soars to the top of the international charts.
[Review] George Duke: A Brazilian Love Affair (1980)
Dukey goes to Brazil and brings the funk with him, creating a new fusion of sounds.
The Moody Blues: “Nights In White Satin” (1967)
The most majestic pop song written since, well, “A Whiter Shade of Pale” from a few months earlier, but still it’s pretty awesome.