Progrography - Page 2 of 83 - A (mostly) progressive rock discography

[Review] Steely Dan: Countdown To Ecstasy (1973)

And so began my second-favorite annual tradition, the release of the new Steely Dan album.

A ray of light in a moonless sky, featuring live performances of classics over the years.

You know what the difference is between post-war Germany and post-war America? A sense of shame.

A fine collection of songs with a surprising range, although only “The Loner” stands out as a classic.

This demon seed of the death metal movement was darker than Purple and made Cream look like choirboys.

Dum-dum, dum-dum, dum-dum, dum-dum, dum, dum. Smartest thing he’s ever done.

If Never Mind the Bollocks was the shot heard ‘round the world, London Calling was its call to arms.

This is the album where Coltrane completely distances himself from the company of mere mortals.

Choosing this as the single from The Yes Album proved to be a winning move, giving the band their first Top 40 hit.

The last album from Mk. II hits the mark again with a strong collection of songs led by “Woman From Tokyo.”

Macabre ruminations from the poet in residence and great guitar licks (but few memorable melodies) sum up Procol’s fourth.

Maybe the rock idol had been idle too long, but Fireball Zone felt more like a safety zone.

Santana shows no signs of ending their evil ways, recasting Fleetwood Mac’s recent single into a smoldering witches’ brew of sounds.

No, it didn’t go gold, but it didn’t tarnish Cracker’s reputation among the musically informed either.

Their third, divided into four, equals pure joy as it explores jazz-rock fusion from the perspective of rock.