The second installment in Hassell’s fourth world series, featuring African dream-telling and watersplashing.
Kronomyth 4.0: The Tunes of Two Tribes.
You are the steam rising off the work of a new day in Malay. In the stillness of morning, the sun gains a toehold on the earth and slowly lifts the veil of creation. Shapes appear; fixed and animated, light and dark. In the world between sleeping and waking, you fill in the missing pieces until the landscape is alive around you. The clarity of full consciousness comes on “Dream Theory,” and you realize you’re awake in the dream.
Jon Hassell’s second album of Fourth World music draws its inspiration from the Senoi and Semelai people in Malay and could be seen as the tunes of two tribes. The dream-telling of the Senoi and the watersplashing of the Semelai provide an otherwordly backdrop for Hassell’s fourthworldly work. Similar to the previous Possible Musics by design, the difference here is the anthropological authenticity of this new world. Brian Eno’s touch is keenly felt in “Courage” and “Dream Theory” (the latter essentially Eno’s remix of the former), but the expedition is clearly being led by the man with the horn.
Like Jean-Michel Jarre’s Zoolook, Jon Hassell is advancing a new lexicon of sound that twists the familiar to create the alien. The snippets of processed trumpet that constitute “Chor Moiré” feel like a mixture of fly and frog. The dazzling “Data Bintung at Jelong” could be one of Laraaji’s music tumblers being rolled back and forth in the hand of a trancing priestess. These strange snapshots in the heart of an imagined Malay make for an unforgettable journey. Whether it draws you in or pushes you away depends on many things (fear, faith, convention), but if the possibilities of music intrigue you, forge on.
Original LP Version
A1. Chor Moiré (2:18)
A2. Courage (3:28)
A3. Dream Theory (5:13)
A4. Datu Bintung At Jelong (7:03)
B1. Malay (10:10)
B2. These Times… (2:52)
B3. Gift of Fire (5:00)
All compositions by Jon Hassell.
Jon Hassell (trumpets, pottery drums, Prophet 5, bowl gongs), Brian Eno (drums, bowl gongs, bells) with Michael Brook (bass on A2/A3), Walter DeMaria (distant drum on A2), Miguel Frasconi (bowl gongs on B1). Produced by Jon Hassell; engineered by Dan Lanois, additional engineering by Greg Roberts, frog bog recording by Andrew Timar; mixed by Jon Hassell, Brian Eno, Dan Lanois (A4); splash rhythm edit assist by Paul Fitzgerald.
Cover painting by Mati Klarwein. Photo by Jimmy de Sana. Design by Paula Greif.
Released on elpee in 1981 in the UK and Canada (Editions EG, EGED-13), the US (Editions EG, EGM 114), Australia and France (Editions EG, 2335 226) and Japan (Editions EG, 28MM0089).
- Re-issued on elpee and compact disc in 1987 in the US and the UK (Editions EG, EG/EEGCD-13).
- Re-issued on compact disc in the US (Caroline, 1571).
- Re-issued on compact disc on October 1, 2017 in Japan (Rice, INR-7130).