Featuring the lyrics of Robert Hunter, Aoxomoxoa is the band’s most accessible and succinct album to date.
Kronomyth 3.0: Palindromes, ambigrams and epigrams.
Aoxomoxoa marks the beginning of the band’s best music, including such perennial favorites as “St. Stephen,” “China Cat Sunflower” and (my own personal favorite) “Dupree’s Diamond Blues.” Much of the credit belongs to new lyricist Robert Hunter, whose pithy observations would help to define the Dead. And yet, the psychedelic touches are still too pronounced, too precious on Aoxomoxoa, diluting what would otherwise be a nearly perfect album.
Specifically, Jerry Garcia as cosmic cantor on “What’s Become of the Baby” is exactly the sort of song that CD makers had in mind when they invented the skip button. That freakshow and “Rosemary” would sink a lesser album. Fortunately, Aoxomoxoa is buoyed by tracks like “Doin’ That Rag” and “Cosmic Charlie.” Even the brittle “Mountains of the Moon” makes for a pretty musical box. I tend to listen to the first side of this record and leave the second side alone (if I could swap “Cosmic Charlie” with “Rosemary” I might never flip it over at all).
Despite the frequent criticism that the Dead sounded confined in the studio, Aoxomoxoa isn’t confined by anything but the occasional lapse in judgment. The intricacies in the arrangements shine through, the playing is lively and the interplay organic enough. It is the closest thing to a psychedelic pop album that the band has made, at times sounding like an American version of The Kinks. It’s also the last studio album to feature the (musically) experimentally minded Tom Constanten, whose exotic instrumentation (harpsichord, electronic tapes) would have seemed strangely out of place on the earthier, folkier Workingman’s Dead and American Beauty.
Original LP Version
A1. St. Stephen (Jerry Garcia/Robert Hunter/Phil Lesh)
A2. Dupree’s Diamond Blues
A4. Doin’ That Rag
A5. Mountains of The Moon
B1. China Cat Sunflower
B2. What’s Become of The Baby
B3. Cosmic Charlie
All songs written by Jerry Garcia/Robert Hunter unless noted.
CD reissue bonus tracks
9. Clementine Jam
10. Nobody’s Spoonful
11. The Eleven Jam
12. Cosmic Charlie (live)
Tom Constanten (keyboards), Jerry Garcia (guitars & vocals), Mickey Hart (percussion), Bill Kreutzmann (percussion), Phil Lesh (basses & vocals), Ron McKernan (pig pen) and Bob Weir (guitars & vocals) with Debbie, Peter Grant, Marma-Duke (John Dawson), Mouse, David Nelson and Wendy. Arranged by Grateful Dead, engineered by Bob Matthews (executive engineer), Betty Cantor (engineer), Dan Healy (consulting engineer), Owsley (consulting engineer) and Ron Wickershim (consulting engineer).
The awesome album cover illustration (one of my all-time favorites) is by Rick Griffin, a popular psychedelic poster artist at the time.
Released on elpee on June 20, 1969 in the US (Warner Bros., WS-1790) and on October 1969 in the UK (Warner Bros., K 46027); reached #73 on the US charts (RIAA certified gold record).
- Re-mixed and re-released on elpee on September 1971 in the US (Warner Bros., WS-1790).
- Re-issued on compact disc in 1987 in the US (Warner Bros., 1790).
- Re-issued on compact disc in 1989 in the UK (WEA, 927178).
- Re-released on expanded, remastered CD on February 25, 2003 in the US (Rhino, 74394) with 4 bonus tracks.