[Review] The Damned: Damned Damned Damned (1977)

A landmark punk album played with remarkable precision, The Damned sounded like a machine gun next to the Pistols.

Kronomyth 1.0: Never mind the Sex Pistols, here’s the Damned.

The Damned’s first album introduced listeners to England’s newest musical craze, punk music. Unfortunately, I somehow missed the introduction and wasted my youth listening to The Sex Pistols, The Ramones, The Clash, The Buzzcocks and The Stooges. Not that it was wasted time, of course, but it would have been a damned sight more interesting with “New Rose,” “Neat Neat Neat,” “Feel The Pain,” “So Messed Up” and “See Her Tonite” in the mix. And so, while I recognize that the world doesn’t need another review of Damned Damned Damned, if it turns one more listener onto this music before it’s too late, I’ll have gained some measure of peace.

While the obvious precedent here is The Stooges and MC5 (a scorching cover of “I Feel Alright” closes out the album), The Damned’s first record is very much a product of its personalities: Brian James as the rock-steady rebel raining thunderbolts of fury, Rat Scabies assaulting his kit like Keith Moon, Captain Sensible pounding like a jackhammer on the same notes and Dave Vanian infusing it all with his ghoulish charisma. Other punks more or less followed the same formula insofar as their talents and temporary sobriety allowed, but none of them did it any better than The Damned do here. Tracking the album’s influence is a bit tricky, since the first generation of punks were a surly lot by nature. When Siouxsie Sioux says she doesn’t respect The Damned, you have to wonder if her perspective isn’t fueled by a little competitive jealousy.

The band’s first album remains a punk powerhouse; every song is a punch in the gut, not one song breaks the rock & roll commandment of “get in, get out, get on with it.” Ferocity and urgency are the order of the day, with producer Nick Lowe doing his best to get out of the way and capture the band’s live intensity on tape (which he does masterfully). As good as they were, The Stooges were sloppy; The Damned are neat neat neat, as sharp as a surgeon’s knife, and the twelve cuts delivered here left a permanent mark on music.

Original elpee version

A1. Neat Neat Neat (2:41)
A2. Fan Club (2:50)
A3. I Fall (2:10)
A4. Born To Kill (2:40)
A5. Stab Your Back (Rat Scabies) (1:00)
A6. Feel The Pain (3:50)
B1. New Rose (2:41)
B2. Fish (Brian James/Thanx Tony) (1:50)
B3. See Her Tonite (2:30)
B4. 1 of the 2 (3:10)
B5. So Messed Up (1:54)
B6. I Feel Alright (Stooges) (4:31)

All songs written by Brian James unless noted.

The Players

Brian James (guitar, vocals), Rat Scabies (drums, vocals), Captain Sensible (bass, vocals), Dave Vanian (vocals). Produced by Nick Lowe; engineered by Bazza.

The Pictures

Front cover by Peter Kodick, assisted by Judy Nylon and Pat Palladin. Back cover by Erica Echenberg. Design by Big Jobs Inc.

The Plastic

Released on elpee on February 18, 1977 in the UK (Stiff, SEEZ 1) and Japan (Stiff, VIP-6637) with booklet. Reached #36 on the UK charts. Also released on blue vinyl elpee in 1977 in Belgium (Stiff, COU/B/SEEZ 1).

  1. Re-issued on green vinyl elpee in Germany (Stiff, 6.23316 BL).
  2. Re-released on picture disc elpee in 1987 in the UK (Demon, FIEND 91).
  3. Re-released on yellow vinyl in 1989 in the US (Frontier, FLP 1033).
  4. Re-issued on compact disc in 2004 in Canada (EMI).
  5. Re-issued on compact disc on February 15, 2005 in the UK (EMI).
  6. Re-issued on compact disc and limited edition 200g vinyl elpee on May 6, 2016 in the US (Drastic Plastic).
  7. Re-issued on elpee in Europe (Sanctuary, 80861?).
  8. Re-issued on remastered compact disc in 2017 (Sanctuary).

The Last Word

“The first Stooges album I heard was the Funhouse album. I would have been about 19 at the time, and it was so instant and to the point and between the ears that it totally knocked me for six.” – Brian James, in a 2007 interview.

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