Curved Air: Second Album (1971)

“Sonja put it very well once when she said, ‘You have the whole of your life to write the first album, and six months for the second.’” – Francis Monkman, in a 1998 interview.

Kronomyth 2.0:  A WOMAN DREW HER LONG BLACK HAIR OUT TIGHT AND FIDDLED WHISPER MUSIC ON THOSE STRINGS. Second albums are often problematic as bands struggle to create within the pressurized environment of the music machine. It’s a kind of curse when your dream becomes your job. (There are worse curses, of course.) Signs that Curved Air was caving under the pressure can be seen in the fact that the band had effectively split into two creative camps. It wasn’t a division of vision, so much as an effectual means of generating new material for the next album. Darryl Way and Sonja Linwood struck up a songwriting partnership for the first side of Second Album and scored their biggest hit with “Back Street Luv.” Francis Monkman’s eccentric, wordy and wonderful ideas are explored on the second side. Despite this division, there was nothing in the music to suggest that the band was going in different directions. If anything, they sharpened their collective aural attack on Second Album. Monkman’s work on the VCS3 stands as some of the most sophisticated keyboard prog of its time (he’s also an underrated guitarist) and the rhythm section of Pilkington-Miksa and Ian Eyre gives the music a very solid bottom end. Where the first album featured Linwood and Way on vocals (an approach that occasionally invited comparison to Jefferson Airplane), Linwood is the lone voice here most of the time, which allows the listener to luxuriate in her subtle shades and tones. Listening to “Young Mother,” “Back Street Luv,” “Puppets,” “Everdance” and “Piece of Mind,” one can only marvel that music listeners didn’t carry Curved Air home on their shoulders and declare them kings. Their first two albums are certainly as good as anything to come from the established masters (Jethro Tull, Yes, Genesis, Gentle Giant, etc.) and, in fact, slightly ahead of most of them in terms of sophistication and execution. [Note: This is a placeholder review, since I’ll really need to inhabit this music before I can come back with a decent report of it.]

Original LP Version
A1. Young Mother (Darryl Way/Sonja Linwood) (5:55)
A2. Back Street Luv (Darryl Way/Sonja Linwood/Ian Eyre) (3:38)
A3. Jumbo (Darryl Way/Sonja Linwood) (4:11)
A4. You Know (Darryl Way/Sonja Linwood) (4:11)
A5. Puppets (Darryl Way/Sonja Linwood) (5:26)
B1. Everdance (Francis Monkman) (3:07)
B2. Bright Summer’s Day ’68 (Francis Monkman) (2:52)
B3. Piece of Mind (Francis Monkman) (12:54)

The Players
Ian Eyre (bass guitar), Sonja Linwood (vocals), Francis Monkman (guitar, keyboards, VCS3 synthesizer), Florian Pilkington-Miksa (drums), Darryl Way (vocals, electric violin, piano on A5) with Peter Zinovieff (electronics). Produced by Curved Air and Colin Caldwell; engineered by Colin Caldwell.

The Pictures
Art direction and photography by Ed Thrasher.

The Plastic
Released on elpee on September 9, 1971 in the UK (Warner Bros., K 46092), the US and Canada (Warner Bros., WS 1951) and Israel (Warner Bros.,  K 46092) with gatefold cover; reached #11 on the UK charts. US and Israeli versions feature unique, different covers. Also released on elpee in 1972 in Japan (Warner Bros., P-8182W).

  1. Re-issued on elpee in the US (Warner Bros., WS 1951) {burbank label}.
  2. Re-issued on elpee in the UK (Warner Bros., K 46092) {cream label}.
  3. Re-issued on compact disc in Germany (Warner Bros., 26434-2).
  4. Re-issued on compact disc in 1991 in Japan (Warner Bros., WPCP-4223).
  5. Re-issued on compact disc in 1999 in Japan (Warner Bros., WPCR-1455).
  6. Re-issued on compact disc in 2000 in the US (Collector’s Choice, CCM-159-2).
  7. Re-issued on compact disc on April 25, 2007 in Japan (Warner Bros., WPCR-12549).
  8. Re-issued on compact disc in 2008 in Europe (Rhino, 79907).
  9. Re-released on remastered compact disc in 2011 in Germany (Repertoire).
  10. Re-released on super high material compact disc on April 8, 2015 in Japan (Warner Bros.).

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