[Review] Chaka Khan/Freddie Hubbard/Joe Henderson/Chick Corea/Stanley Clarke/Lenny White: Echoes of An Era (1982)
RTF’s response to V.S.O.P upped the ante with vocals from Chaka Khan.
Kronomyth 8.0: V.S.O.P.P.
I like Return to Forever, so I picked up Echoes of An Era and The Griffith Park Collection when they came out. Both bored the pants off me, and I ended up giving Griffith Park away. Loads of talent on these recordings (Freddie Hubbard and Joe Henderson on horns) but not a whole lot to say. Echoes took a gamble by letting Chaka Khan chew up eight classics. Her voice is the neodymium magnet in the room: you’re either attracted to it or freaked out that it’s in there. Personally, I’m pretty freaked out by her voice most of the time. I can listen to her without wincing, but to say that the horn solos of Henderson and Hubbard bring me relief is an understatement. Since I can only listen to people talk about jazz for about fifteen minutes before I want to tweak their little red tomahto nose, maybe I’m not the best judge of Echoes. You really need to buy into the idea that jazz is this evolving dialogue between the past and the future or something. You need to buy into the idea that Chaka Khan’s vocal interpretations make you hear classic music in a new way, and not in the way that The Chipmunks made you hear it. Whether you want to pay fifteen bucks to buy all that, that’s your decision. If you’re intrigued by jazz titans from the ‘70s playing old school jazz, I’d point you toward Herbie Hancock’s VSOP engagements instead (Freddie Hubbard was involved in both projects).
Original elpee version
A1. Them There Eyes (Maceo Pinkard/William Tracy/Doris Tauber) (3:50)
A2. All of Me (Seymour Simons/Gerald Marks) (4:31)
A3. I Mean You (Thelonius Monk/Coleman Hawkins) (3:25)
A4. I Love You Porgy (George Gershwin/Ira Gershwin) (6:25)
A5. Take The A Train (Billy Strayhorn) (6:23)
B1. I Hear Music (Frank Loesser/Burton Lane) (4:20)
B2. High Wire – The Aerialist (Chick Corea/Tony Cohen) (6:40)
B3. All of Me (Alternate Take) (Seymour Simons/Gerald Marks) (4:26)
B4. Spring Can Really Hang You Up The Most (Tommy Wolf/Fran Landesman) (8:25)
The Players
Stanley Clarke (acoustic bass), Chick Corea (piano, arrangements), Joe Henderson (tenor saxophone), Freddie Hubbard (flugelhorn & trumpet), Chaka Khan (vocals), Lenny White (drums). Produced by Lenny White; recording engineered by Bernie Kirsh.
The Pictures
Art direction by Ron Coro. Design by Kristen Kasell Nikosey. Photography by Diem Jones.
The Plastic
Released on elpee in 1982 in the US (Elektra, E1-60021). Reached #11 on the US Jazz charts.
- Re-issued on compact disc on February 28, 2003 in the Netherlands (Elektra, 73781).
This is an oddly dismissive and puzzling review. I understand what the reviewer is saying about Chaka’s voice, especially in terms of her singing jazz, you’ll either love the voice or hate it. Everyone is entitled to their opinion, but to reference The Chipmunks is a cheap swipe against Chaka vocals and speaks of a lack of seriousness.
What confused me the most is this statement: “You really need to buy into the idea that jazz is this evolving dialogue between the past and the future or something”. This is not something you “need to buy into” – it’s a truth about the ongoing evolution of jazz. ECHOES OF AN ERA was released in 1982, a time when the public (for the most part) was losing interest in jazz. Disco, pop, rock, and soft rock were the dominant forces in commercial music. Steely Dan, arguably the greatest rock band to include a lot of jazz elements in their albums, was winding down making studio albums (until they returned in 2000 with Two Against Nature). It wasn’t until later in the 80’s when artists like Dianne Reeves and Diane Schuur emerged that jazz started to have a revival. Sting began incorporating jazz into his albums (most notably The Dream of The Blue Turtles and the live album, Bring On The Night). Cassandra Wilson is an artist who embodies the statement about jazz being an evolving dialogue between the past and the future (the premise the reviewer here “couldn’t buy into.”)
ECHOES OF AN ERA was ahead of its time.. It’s not my “go to” jazz album, but I do revisit it with pleasure every few years. For the best of the best in vocal jazz, there’s no doubt that Billie Holiday, Ella Fitzgerald, Sarah Vaughan, Dinah Washington, Carmen McCrae, Anita O’Day, Lambert Hendricks & Ross, Joe Williams and Chet Baker were masterful, deeply gifted, and the majority of their recordings are timeless and magical. But, especially for jazz fans, I believe ECHOES OF AN ERA is worth a listen.