[Review] Fripp & Eno: (No Pussyfooting) (1973)
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
Category: Robert Fripp
Eno: Here Come The Warm Jets (1974)
A candybox of art-rock confections featuring members of Roxy Music, King Crimson and Sharks that reveals Eno to be a one-of-a-kind kook.
[Review] Eno: Another Green World (1975)
Eno’s warped pop sensibilities and ambient interests merge on his magnum opus.
[Review] Fripp & Eno: Evening Star (1975)
Fripp and Eno return for another album of soothing electronic loops on side one, and dark electronic space music on side two.
[Review] Peter Gabriel (1977)
Trick of the Tail proved there would be life after Lamb, but not this album.
[Review] Brian Eno: Before And After Science (1977)
Not quite another Another Green World, but a final airing out of vocal ideas featuring Eno’s skewed pop/rock sensibilities.
[Review] Peter Gabriel (1978)
Scratching at greatness, this is a study in light and dark featuring modern rock songs and achingly sad songs too.
[Review] Brian Eno: Music For Films (1978)
Ambient bits and pieces create a kind of Whitman’s Sampler of wispy works.
[Review] Peter Gabriel (1980)
His breakthrough third album mixes world music with world politics to sometimes shocking effect.
[Review] Andy Summers/Robert Fripp: I Advance Masked (1982)
There is a law, apparently, that every rock guitarist has to make at least one noodly album of guitar sounds.
[Review] Talking Heads: Fear of Music (1979)
The best album of 1979? Melody Maker thought so, and I’m inclined to agree.