Fripp & Eno: (No Pussyfooting) (1973)
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
Eno’s warped pop sensibilities and ambient interests merge on his magnum opus.
Fripp and Eno return for another album of soothing electronic loops on side one, and dark electronic space music on side two.
Not quite another Another Green World, but a final airing out of vocal ideas featuring Eno’s skewed pop/rock sensibilities.
Scratching at greatness, this is a study in light and dark featuring modern rock songs and achingly sad songs too.
Ambient bits and pieces create a kind of Whitman’s Sampler of wispy works.
A remarkable musical travelogue that reflects his recent work with David Bowie, Darryl Hall, Peter Gabriel, The Roches and Brian Eno.
The best album of 1979? Melody Maker thought so, and I’m inclined to agree.
A half album each of Frippertronics and “discotronics,” the latter pointing to Discipline.
Alternately indecent and disciplined modern rock that could be heard as a dry run for the reconstituted King Crimson.
A musical travelogue of Robert Fripp’s one-man Frippertronics roadshow.
There is a law, apparently, that every rock guitarist has to make at least one noodly album of guitar sounds.