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[Review] Klaus Schulze: Cyborg (1973)
A double-album opus featuring manipulated orchestral tapes, synthesizer and a vast cosmos of electronic sounds.
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[Review] Klaus Schulze: Black Dance (1974)
An interesting set of stationary pieces featuring acoustic guitar and operatic voice.
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[Review] Klaus Schulze: Picture Music (1975)
One of the quieter of the classic Schulze albums, or the Linus of the lot.
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[Review] Klaus Schulze: Timewind (1975)
Richard Wagner’s lifeforce is returned to the universe in this electronic elegy.
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[Review] Klaus Schulze: Moondawn (1976)
Schulze’s most impressive work to date, now featuring Harald Grosskopf on drums.
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[Review] Klaus Schulze: Audentity (1983)
Music for Daliesque shapes melting on a moonscape.
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[Review] Klaus Schulze: Dreams (1986)
A kind of tangram in its musically shifting pieces, which form an electronic symphony of sorts.
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[Review] Klaus Schulze: Miditerranean Pads (1990)
Two long musical journeys over ever-shifting deserts of sound with an Oriental oasis in between.