[Review] Tangerine Dream: Electronic Meditation (1970)
The quark-gluon plasma of electronic music, representing a soupy state of quasi-classical music and experimental science.
Category: Klaus Schulze
[Review] Klaus Schulze: Irrlicht (1972)
The first in a musical odyssey of electronic soundscapes and sculptures that combines equal parts art and artifice.
[Review] Klaus Schulze: Cyborg (1973)
A double-album opus featuring manipulated orchestral tapes, synthesizer and a vast cosmos of electronic sounds.
[Review] Klaus Schulze: Black Dance (1974)
An interesting set of stationary pieces featuring acoustic guitar and operatic voice.
[Review] Klaus Schulze: Audentity (1983)
Music for Daliesque shapes melting on a moonscape.
[Review] Klaus Schulze: Dreams (1986)
A kind of tangram in its musically shifting pieces, which form an electronic symphony of sorts.
[Review] Klaus Schulze: Miditerranean Pads (1990)
Two long musical journeys over ever-shifting deserts of sound with an Oriental oasis in between.