[Review] The Mothers of Invention: We’re Only In It For The Money (1968)
A smorgasbord of demented genius in snack-size bites that challenges the status quo, the counterculture and everything in between.
A smorgasbord of demented genius in snack-size bites that challenges the status quo, the counterculture and everything in between.
George’s soundtrack to a psychedelic movie about a lonely biologist shouldn’t be put under a microscope, but it’s much better than I expected.
Clapton’s first solo album features the Bramletts (Delaney & Bonnie), a pocketfull of Dominoes and a few classics.
J.J. Cale was an unknown songwriter before Clapton recorded this; after, not so much.
[Kronomyth 1.0] Creamelot.
The CS&N star makes an S out of himself in the best way possible, showcasing his musical chops on this all-star set.
George had developed as a songwriter, but even Abbey Road didn’t prepare you for the creative outpouring of this triple-elpee set.
Stills struck gold a second time with this solid followup featuring a star-studded cast of Eric Clapton, Ringo, David Crosby and Jerry Garcia.
One of three companion compilations that honored the individual achievements of Baker, Bruce and Clapton.
Some people would have staged an intervention for Clapton. His friends staged a concert instead.
Clapton emerges from the shadow of a heroin addiction with his strongest album since Layla.
Clapton’s version follows Bob’s vocal lead but adds much sweeter backing vocals. Oh, and it also charted much better.
A solid mix of covers and originals featuring the Tulsa sound and the same stellar backing band.
Clapton nicked Knock while working with Arthur Louis, effectively preempting Louis’ own shot at a hit single.