[Review] The Mothers of Invention: We’re Only In It For The Money (1968)
A smorgasbord of demented genius in snack-size bites that challenges the status quo, the counterculture and everything in between.
Category: Eric Clapton
[Review] George Harrison: Wonderwall Music (1968)
George’s soundtrack to a psychedelic movie about a lonely biologist shouldn’t be put under a microscope, but it’s much better than I expected.
[Review] Blind Faith (1969)
A supergroup for the ages, featuring the principal members of Cream and Traffic. Plus the bass player from Family.
Eric Clapton: “After Midnight” (1970)
J.J. Cale was an unknown songwriter before Clapton recorded this; after, not so much.
Derek and The Dominos: Layla And Other Assorted Love Songs (1970)
[Kronomyth 1.0] Creamelot.
[Review] Stephen Stills (1970)
The CS&N star makes an S out of himself in the best way possible, showcasing his musical chops on this all-star set.
[Review] George Harrison: All Things Must Pass (1970)
George had developed as a songwriter, but even Abbey Road didn’t prepare you for the creative outpouring of this triple-elpee set.
Stephen Stills 2 (1971)
Stills struck gold a second time with this solid followup featuring a star-studded cast of Eric Clapton, Ringo, David Crosby and Jerry Garcia.
Eric Clapton’s Rainbow Concert (1973)
[Kronomyth 2.0] The Rainbow Connection, the Lovers, the Dreamers and Me.
[Review] Eric Clapton: 461 Ocean Boulevard (1974)
Clapton emerges from the shadow of a heroin addiction with his strongest album since Layla.
Eric Clapton: “I Shot The Sheriff” (1974)
Clapton’s version follows Bob’s vocal lead but adds much sweeter backing vocals. Oh, and it also charted much better.
