The Cure Discography
Happiness is a sickness. This is The Cure.
Happiness is a sickness. This is The Cure.
It wasn’t Damned, Damned, Damned, but The Cure’s first is still a pretty damned good punk rock record.
The first single from the second album takes a turn for the gothic.
This is the first Cure album that really feels like a Cure album: dark, gothic and drearily wonderful.
A compilation of The Cure’s early singles and cuts from their first album released for the always-late-to-the-party Americans.
The Bunnymen had their drum machine and The Cure have their flanger pedal on this opening salvo from Faith.
The second in the band’s dark trilogy, including songs inspired by the death of Ian Curtis.
A double-elpee compilation that brought American audiences up to speed with Seventeen Seconds and Faith.
A song inspired by a children’s novel introduces a romantic side to the band’s gothic gloom and doom.
[Kronomyth 4.0] Sex and Death.
[Kronomyth 6.0] The Happily Ever After After …Happily Ever After.
Some people will tell you this is The Cure’s worst album. Apparently, the same people who think Siouxsie and the Banshees suck.
A remarkably clean-sounding, career-spanning live album recorded during The Top tour.
Kronomyth 9.0: CLOSE TO PERFECT. Somewhere outside of London (?), The Smiths and Siouxsie And The Banshees were being hurled one at the other in the eye-on collider of Robert Smith’s imagination. Everyone’s favorite gothic moptop had already come a-courting on songs like “The Lovecats” and “The Caterpillar,” but even they didn’t prepare you for…
Kronomyth 10.0: LIFE’S A BEACH, AND THEN YOU DIE. Standing On A Beach collects the first 13 singles from The Cure in chronological order, which might seem a kindness but, in fact, plays out more like a gloomy history lesson. I bought this because I was in love with “The Lovecats.” I ended up playing…