Fripp & Eno: (No Pussyfooting) (1973)
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
Category: Brian Eno
Eno: Here Come The Warm Jets (1974)
A candybox of art-rock confections featuring members of Roxy Music, King Crimson and Sharks that reveals Eno to be a one-of-a-kind kook.
[Review] Kevin Ayers/John Cale/Eno/Nico: June 1, 1974 (1974)
A band of misfits, a side of Ayers and a dose of intrigue converge at the Rainbow.
[Review] Eno: Another Green World (1975)
Eno’s warped pop sensibilities and ambient interests merge on his magnum opus.
Brian Eno: Discreet Music (1975)
Eno is struck by the inspiration to create music as environment rather than entertainment. Technically, struck by a car first, and then inspiration.
[Review] Fripp & Eno: Evening Star (1975)
Fripp and Eno return for another album of soothing electronic loops on side one, and dark electronic space music on side two.
[Review] Cluster & Eno (1977)
Toylike melodies and electronic treatments that fail to equal the sum of their prestigious parts.
Devo: Q: Are We Not Men? A: We Are Devo! (1978)
[Kronomyth 1.0] I’ve got a gut feeling these guys are geniuses.
[Review] Eno Moebius Roedelius: After The Heat (1978)
A deeper, darker exploration of the music of Cluster and Eno, including a few vocal tracks!
[Review] Jon Hassell/Brian Eno: Fourth World Vol. 1: Possible Musics (1980)
Primitive and electronic sounds combine for a new kind of fourth world ambient jazz.
[Review] Jon Hassell: Dream Theory In Malaya (Fourth World Volume Two) (1981)
The second installment in Hassell’s fourth world series, featuring African dream-telling and watersplashing.
[Review] Brian Eno with Daniel Lanois & Roger Eno: Apollo – Atmospheres And Soundtracks (1983)
Brian’s soundtrack to the film, For All Mankind, features some truly celestial ambient music.