Fripp & Eno: (No Pussyfooting) (1973)
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
What do you get when you combine the geniuses from King Crimson and Roxy Music? A stultifying album of electronics and tape loops.
A band of misfits, a side of Ayers and a dose of intrigue at Rainbow’s end.
Apparently, Eno was just getting warmed up on Jets. Once heard, this album will change your world.
If you should ever leave me, life would still go on, believe me.
Eno’s warped pop sensibilities and ambient interests merge on his magnum opus.
Eno is struck by the inspiration to create music as environment rather than entertainment. Technically, struck by a car first, and then inspiration.
Fripp and Eno return for another album of soothing electronic loops on side one, and dark electronic space music on side two.
A certain ratio of Phil Manzanera, Brian Eno and Quiet Sun songs performed live.
Roxy Music re-imagined as angry, young English punks.
Toylike melodies and electronic treatments that fail to equal the sum of their prestigious parts.
Not quite another Another Green World, but a final airing out of vocal ideas featuring Eno’s skewed pop/rock sensibilities.
Eno puts on his king’s lead thinking cap and helps the Heads make a quirky, minor masterpiece.