New Riders of the Purple Sage: Gypsy Cowboy (1972)

Kronomyth 3.0: LIFE AFTER THE DEAD. The Riders had been dropping their Dead along the way and, presumably, Deadheads along with them. By their third album, Gypsy Cowboy, the Dead’s participation in the project consisted of Donna Jean Godchaux singing backing vocals on a pair of tracks. Unlike the previous Powerglide, Dawson and Torbet take up most of the songwriting themselves, with only two cover tunes this time (both of which I think are sung by David Nelson, but don’t quote me on that). As with many of California country-rock counterparts, it’s not clear what side of the fence the Riders are on: are they pot-smoking cowboys or psychedelic rockers who see themselves as modern-day Western outlaws? You won’t find the answer in the songs, which range from the sweet country confection of “Sutter’s Mill” to the epic “Death And Destruction” featuring psychedelic guitar/violin feedback and a subject that shadows the Stones’ “Sympathy For The Devil.” Maybe Gypsy Cowboy is the right title, since the band doesn’t rest at any one place too long. The opening title track sounds more like a long goodbye, then it’s on to a pair of country-rock songs about tight getaways and loose ladies, followed the polar opposites of “Sutter’s Mill” and “Death And Destruction.” Side two features are few innocent tunes from Dawson (including “Superman”), Tobert’s reflective “On My Way Back Home” and straightforward covers of the country songs “She’s No Angel” and “Long Black Veil.” Although it didn’t contain any hits and was slighted on 1976’s Best Of compilation, if you’ve come this far with the New Riders, there’s no reason to turn back now.

Original LP Version
A1. Gypsy Cowboy (Dave Torbert) (4:17)
A2. Whiskey (John Dawson) (3:33)
A3. Groupie (Dave Torbert) (2:37)
A4. Sutter’s Mill (John Dawson) (1:51)
A5. Death And Destruction (John Dawson) (8:41)
B1. Linda (John Dawson) (3:03)
B2. On My Way Back Home (Dave Torbert) (3:28)
B3. Superman (John Dawson) (3:08)
B4. She’s No Angel (Wanda Ballman/J.W. Arnold) (2:51)
B5. Long Black Veil (Marijohn Wilkin/Danny Dill) (3:54)
B6. Sailin’ (John Dawson) (2:48)

CD Reissue Bonus Tracks
12. Groupie (live)
13. Sutter’s Mill (live)
14. Superman (live)
15. She’s No Angel (live)

The Players
Buddy Cage (pedal steel), John Dawson (vocals, rhythm guitar), Spencer Dryden (drums and percussion), David Nelson (lead guitar, vocals, dobro, mandolin and bagpipes), Dave Torbert (bass vocals, acoustic) with Darlene DiDomenico (vocals on tracks 2, 7 & 8), Donna Jean Godchaux (vocals on tracks 9 & 10), Richard Greene (violin), Mark Naftalin (piano) and Jack Schoer (horns). Produced by Steve Barncard and NRPS; engineered by Steve Barncard, Dave Brown, Ellen Burke.

The Plastic
Released on elpee and 8-track in December 1972 in the US (Columbia, KC/CA-31930), the UK (CBS, S-65008), Australia (CBS, SBP-234273) and Japan (CBS/Sony, SOPL-137); reached #85 on the US charts. Re-released on CD in 2000 in France (Sony, 471371). Re-packaged w. The Adventures of Panama Red on CD on March 9, 2002 in the US and the UK (Beat Goes On, BGOCD-509). Re-released on expanded CD with 4 live bonus tracks on July 17, 2007 in the US (Wounded Bird, 1930). Photography by Thomas Weir, whose distinctive work also appeared on some of the early Grateful Dead albums.

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