Listening to her first two records, you had the sense that Joan Armatrading was someone special, but you didn’t know how special until you heard this album. Produced by Glyn Johns (The Who, etc.), Joan Armatrading is a quantum leap from her last. “Down To Zero,” “Love And Affection” and “Save Me” captured the peculiar beauty of her music in perfect detail. All of the songs on Joan Armatrading come from a place of strength, bolstered by a backing band that added the right amount of familiar rock, country and blues to Joan’s unconventional rhythms and unexpected melodies. The strings are also handled well here, which is always a delicate balance to strike. But the real star is Joan, from beginning to end. Her voice shimmers like a candle flame in the softer settings, a sense of humor emerges (“Water With The Wine,” “Tall In The Saddle”) and throughout Joan upends the traditional idea of the female songwriter with her unorthodox guitar playing (e.g., “Like Fire”) and musical muscle flexing (“Join The Boys,” “People”). Armatrading herself must have liked the results (I’m sure her label did), as Johns produced her next three albums as well (although, to be honest, only Show Some Emotion returned to the same plateau). If I were compiling a list of the greatest albums from the 70s (and I’m not), Joan Armatrading would make my Top 100 along with Court And Spark and Tea For The Tillerman. Joan has made albums that rock harder (Me Myself I) and include more high points (Walk Under Ladders), but I don’t believe she’s made a more powerful record. Here, subtle inflections and well-turned words are arrows, and Armatrading is a skilled archer who can find the human heart, even in the darkness.
Original LP Version
A1. Down To Zero (3:49)
A2. Help Yourself (4:03)
A3. Water With The Wine (2:48)
A4. Love And Affection (4:28)
A5. Save Me (3:37)
B1. Join The Boys (4:49)
B2. People (3:29)
B3. Somebody Who Loves You (3:34)
B4. Like Fire (5:11)
B5. Tall In The Saddle (5:45)
All songs written by Joan Armatrading.
Joan Armatrading (acoustic guitar, vocals, backing vocals), Jerry Donahue (electric guitar, acoustic guitar), Kenney Jones (drums), Dave Markee (bass guitar), Dave Mattacks (drums), Peter Wood (piano, organ) with Leroy Champaign (backing vocals), B.J. Cole (steel guitar on A1), Bryn Haworth (mandolin on B3, slide guitar on B4), Jimmy Jewell (saxophone), Pete Le Roy (backing vocals on A4/B2), Graham Lyle (12-string guitar on A1), Brian Rogers (string arrangements). Produced & engineered by Glyn Johns.
Photography by Clive Arrowsmith. Art direction by Fabio Nicoli. Design by Nick Marshall.
Released on elpee and cassette in September 1976 in the UK (A&M, AMLH/CAM 64588), the US (A&M, SP-4588), Australia and New Zealand (A&M, L35967) and in 1977 in Yugoslavia (RTB, LP5641) with lyrics innersleeve; reached #12 on the UK charts (BPI-certified gold record) and #67 on the US charts. Re-packaged on expanded cassette in 1981 in the UK (A&M, CAMCR2) with To The Limit. Re-issued on elpee, cassette and compact disc in the UK (A&M, 393228) and the US (A&M, SP/CD-3228).