Jefferson Starship: Spitfire (1976)

Starlog 3.0: ENTER THE SEVEN-HEADED HYDRA. Spitfire is the spitting image of their last album but without the contributions of Papa John Creach (or, for the zen masters among you, the absence of an already-invisible violin). Marty Balin again provided the big ballad, “With Your Love,” and the album furthered the Starship’s winning ways, but on close inspection the band was more fractured than ever. Balin continued to bring in songs from outside the band, Grace Slick barricaded herself behind the acid-spitting dragon queen persona and Paul Kantner’s journeys into space grew more quixotic and less coherent. A lot of successful bands in the 70s had individual egos to feed: Eagles, Fleetwood Mac, Grateful Dead. My impression of Jefferson Starship is a seven-headed hydra that feeds on itself. They’re a female-fronted rock band, psychedelic dinosaur and soft-rock peddler rolled into one monster. At this point, it’s obvious that I’m not buying into the Jefferson Starship experience. They need to manage their portfolio better; consolidate rather than diversify or dazzle us with diversity. I think I would prefer a solo album by Balin, Kantner or Slick at this stage, knowing that they had some actual skin in the outcome, rather than Spitfire’s mediocrity by committee. Of course, Starship fans will tell you this is a solid album, and they’re right. The material here is as good as anything you’ll find on Octopus or Earth, with highlights that include “St. Charles,” “Song To The Sun” and that minor miracle of pop music, “With Your Love.” It’s just that Spitfire, like most Starship albums, is a lighter record than the sum of its parts would indicate. Take Balin’s ballads out of the equation, and you’re holding a very average 70s rock album in your hands.

Original LP Version
A1. Cruisin’ (Charlie Hickox) (5:27)
A2. Dance With The Dragon (Paul Kantner/Grace Slick/Marty Balin/Craig Chaquico/Pete Sears) (5:02)
A3. Hot Water (Grace Slick/Pete Sears) (3:17)
A4. St. Charles (Paul Kantner/Marty Balin/Jesse Barish/Craig Chaquico/Thunderhawk) (6:38)
B1. Song To The Sun: Ozymandias (Paul Kantner/Craig Chaquico/John Barbata/David Freiberg/Pete Sears/Grace Slick) (1:39) / Don’t Let It Rain (Paul Kantner/China Wing Kantner)   (5:36)
B2. With Your Love (Marty Balin/Joey Covington/Vic Smith) (3:33)
B3. Switchblade (Grace Slick) (4:01)
B4. Big City (John Barbata/Joel Scott Hill/Chris Etheridge) (3:20)
B5. Love Lovely Love (Jesse Barish) (3:31)

The Players
Marty Balin (vocals), John Barbata (drums, vocals, percussion), Craig Chaquico (lead guitar, vocals), David Freiberg (bass, vocals, keyboards, ARPS), Paul Kantner (rhythm guitar, vocals), Pete Sears (bass, keyboards, mellotron, organ, Moog, piano), Grace Slick (vocals, piano) with Bobbye Hall (percussion and congas), Dave Roberts (string and horn arrangements) and Steven Schuster (sax on track 5). Individual, track-by-track credits for David Freiberg and Pete Sears are listed on the lyrics innersleeve, which is where you’ll learn that Pete plays the “melatron” on track 3. The album was again produced by Larry Cox and Jefferson Starship, and engineered by Larry Cox. Pat Ieraci (Maurice) and Paul Dowell continue to receive credit as production coordinator and amp consultant, respectively.

The Plastic
Originally recorded at Wally Heider Studios in San Francisco and released elpee, quadrophonic elpee and cassette on July 1976 in the US, UK and Canada (Grunt, BFL1/BFD1/BFK1-1557) and in Japan (Grunt, RVP-6087); reached #3 on the US charts (RIAA certified platinum record) and #30 on the UK charts. The original elpee featured a lyrics innersleeve. Re-released on elpee in 1981 in the US (Grunt, AYL1-3953) and Germany (Grunt, NL8-3953). Re-released on digitally remastered CD on August 23, 2004 in the US, UK and Germany (BMG Heritage, 62871), in Japan (Grunt, BVCM-7333) and on August 4, 2009 in the US (SBME Special Markets, SBMK-749265). Jefferson Starship is credited with art direction, Ron Slenzak with cover photography, Shusei Nagoka with illustration, John Langdon with label art and Chris Whorf & Tim Bryant of Gribbit! with album design. Incidentally, the cover model is San Francisco-born Cassandra Gaviola, who proved equally bewitching years later (under the name Cassandra Gava) opposite Arnold Schwarzenegger in the 1982 film, Conan The Barbarian.

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